Soziologische Ästhetik 2009
DOI: 10.1007/978-3-531-91352-0_12
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Soziologie der Sinne

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Cited by 10 publications
(8 citation statements)
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“…Simmel criticized the tendency to treat society as a vessel within which other forms of engagement reside. For Simmel, the broadest idea of society is equivalent to any setting in which people enter into interaction with each other (Simmel, 1999 , p. 20–21). All those forms of engagement are what constitutes society: remove them, and no society is left.…”
Section: Theorizing Social Action On the Site Of Public Political Arenamentioning
confidence: 99%
See 1 more Smart Citation
“…Simmel criticized the tendency to treat society as a vessel within which other forms of engagement reside. For Simmel, the broadest idea of society is equivalent to any setting in which people enter into interaction with each other (Simmel, 1999 , p. 20–21). All those forms of engagement are what constitutes society: remove them, and no society is left.…”
Section: Theorizing Social Action On the Site Of Public Political Arenamentioning
confidence: 99%
“…Instead of equating society with massive structural entities, he encouraged investigating smaller trivial instances of human relationships and encounters, which flourish endlessly in between large social formations. These microscopic molecular processes of human material represent the actual emergence of society, which is connected and materializes into macroscopic units and formations (Simmel, 1999 , p. 37–38).…”
Section: Theorizing Social Action On the Site Of Public Political Arenamentioning
confidence: 99%
“…(This section is based on prior elaborations on the topic: Heinrichs (2019a, 2019b)) Great thinkers such as Karl Marx (1989) [12], Sigmund Freud (2009) [13], Georg Simmel (1907) [14], Helmut Plessner (1980) [15], or Maurice Merleau-Ponty (1965) [16] have reflected on the fundamental role of sensory experiences, corporeality, affect, emotions, and embodied imagination for everyday life. With varying foci, they (re-)conceptualized humans as bodily subjects in socio-material worlds, emphasizing the cognitive and corporeal co-construction of sense-making, the corporal-sensorial (co-)presence of humans and non-humans as well as the interplay of mind and body, sensing and interpreting, and intuition and conception.…”
Section: (Un)sensory Sustainability Sciencementioning
confidence: 99%
“…The project groups than had four weeks (session 10-13), coached by the lecturers, for field research and filming, analysis, and interpretation of film material considering scientific literature as well as cutting and editing. In the concluding session (14), the project groups presented their findings in presentations of twenty minutes, consisting of 5 min film and 15 min presentation.…”
Section: Presentation and Résumémentioning
confidence: 99%
“…The adoption of practice-oriented and phenomenological approaches points to the perception that the French model of discourse analyses cannot simply be extended to accommodate visuality. Foucault’s (1975) analysis of the panopticon, elaborated in contemporary surveillance studies , was a foray into the structural power of visibility, but it does not sufficiently cover the mutuality of the gaze (Simmel, 1908/2008), the varieties of visual self-presentation (Goffman, 1956), and the new visual technologies such as amateur video and presentation software (Knoblauch, 2013). But it is also the image itself, broadly understood, which rejects a parallelism with linguistic discourse, “there is a constant oscillation between the material and virtual of the image” understanding it “along the lines of the topological—as more knot-like, in that its surface both reveals and conceals itself .…”
Section: Visual Discourses Beyond Foucaultmentioning
confidence: 99%