2022
DOI: 10.1386/ghhs_00055_1
|View full text |Cite
|
Sign up to set email alerts
|

South Africa (Mzansi)

Adam Haupt

Abstract: This article offers a snapshot of South African hip hop by focusing largely on the uptake of ‘conscious’ hip hop in the 1980s and 1990s. It argues that especially Cape Town activists made meaningful contributions to advancing Black multilingual expression and, thereby, validating negated Black identities as the country was beginning to make the transition from apartheid to a democratic, post-apartheid South Africa. Ultimately, it questions whether the binary opposition between ‘conscious’ and commercial hip ho… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
0
0

Publication Types

Select...

Relationship

0
0

Authors

Journals

citations
Cited by 0 publications
references
References 3 publications
0
0
0
Order By: Relevance

No citations

Set email alert for when this publication receives citations?