Source Separation of Piano Concertos Using Musically Motivated Augmentation Techniques
Yigitcan Özer,
Meinard Müller
Abstract:In this work, we address the novel and rarely considered source separation task of decomposing piano concerto recordings into separate piano and orchestral tracks. Being a genre written for a pianist typically accompanied by an ensemble or orchestra, piano concertos often involve an intricate interplay of the piano and the entire orchestra, leading to high spectrotemporal correlations between the constituent instruments. Moreover, in the case of piano concertos, the lack of multi-track data for training consti… Show more
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