2019
DOI: 10.1080/07350198.2019.1588567
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Sounding Out theProgymnasmata

Abstract: This article positions the progymnasmata, an ancient sequence of rhetorical exercises, as a rich resource for contemporary scholarship on rhetoric and sound. Drawing on work at the intersection of rhetoric and sound studies as well as scholarship that repurposes ancient rhetorical concepts to study digital media, I argue that refiguring the progymnasmata can significantly expand rhetorical studies of digital sound. I ground my argument in podcasts, a popular sonic medium that has garnered attention in rhetoric… Show more

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Cited by 10 publications
(7 citation statements)
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“…Sound studies has become a strong interdisciplinary field in which scholars from a variety of disciplines have studied sound production and reception from a variety of critical perspectives (Gunn et al, 2013;Lingold et al, 2018;. And in rhetoric and writing studies, scholars have now argued persuasively that sound deserves our attention for rhetorical analysis and theory (Comstock & Hocks, 2016;Eckstein, 2017;Goodale, 2011;Hawk, 2018aHawk, , 2018bKjeldsen, 2018;Lambke, 2019;Rickert, 1999;Stone & Ceraso, 2013;, scholarly research methods and production (Ball, 2004;Carson, 2017;Detweiler, 2018;Wargo, 2020;Wargo et al, 2021), and, importantly, for this book here, pedagogy (Ahern, , 2018Alexander, 2015;Ball & Hawk, 2006;Bowie, 2012aCeraso, , 2018Ceraso, , 2019Ceraso & Ahern, 2015;Comstock & Hocks, 2006;Davis, 2011;Detweiler, 2019;Faris et al, 2020;Folk, 2015;Greene, 2018;Hawkins, 2018;Klein, 2020;Sady, 2018;Stedman et al, 2021).…”
Section: [Music Fades Away]mentioning
confidence: 99%
“…Sound studies has become a strong interdisciplinary field in which scholars from a variety of disciplines have studied sound production and reception from a variety of critical perspectives (Gunn et al, 2013;Lingold et al, 2018;. And in rhetoric and writing studies, scholars have now argued persuasively that sound deserves our attention for rhetorical analysis and theory (Comstock & Hocks, 2016;Eckstein, 2017;Goodale, 2011;Hawk, 2018aHawk, , 2018bKjeldsen, 2018;Lambke, 2019;Rickert, 1999;Stone & Ceraso, 2013;, scholarly research methods and production (Ball, 2004;Carson, 2017;Detweiler, 2018;Wargo, 2020;Wargo et al, 2021), and, importantly, for this book here, pedagogy (Ahern, , 2018Alexander, 2015;Ball & Hawk, 2006;Bowie, 2012aCeraso, , 2018Ceraso, , 2019Ceraso & Ahern, 2015;Comstock & Hocks, 2006;Davis, 2011;Detweiler, 2019;Faris et al, 2020;Folk, 2015;Greene, 2018;Hawkins, 2018;Klein, 2020;Sady, 2018;Stedman et al, 2021).…”
Section: [Music Fades Away]mentioning
confidence: 99%
“…The dialogical self is fundamentally playful, engaging in low-stakes and high-agency identity exploration. While "fun" may not be an adjective commonly associated with engineering education, it is an adjective associated with podcasting in the classroom (Almendingen et al, 2021;Detweiler, 2019;Jones, 2010;McCarthy et al, 2021)and podcasts have opened new possibilities for assessment in interprofessional learning (IPL. The chat show genre in particular encourages linguistic playfulness; Drew (2017) identified wit as a signature move of the genre, citing a blending of humor and intellectualism.…”
Section: Fostering a Dialogical Self To Promote Social Engagementmentioning
confidence: 99%
“…The podcast needs to be based on research (typically about five sources per team member), and students submit an annotated bibliography as one of the scaffolding assignments. Scaffolding assignments are a key component of successful podcast assignments (Detweiler, 2019;Faris et al, 2019;Jennifer, 2022;Jones, 2010;Lee & Geraci, 2022), and additional scaffolding assignments include using a focus group for topic refinement, crafting a storyboard, and writing show notes. Students are introduced to the chat show (Drew, 2017;Ramsey, 2023) as the recommended genre, so all team members share equal speaking time and convey information, instead of using a host and expert guest format or a narrative format with fewer voices.…”
Section: Introductionmentioning
confidence: 99%
“…Ceraso's (2018) book Sounding Composition provided interchapters with assignment prompts and classroom practices on exploring the multimodal and embodied dimensions of composing with and in sound. Eric Detweiler (2019) provided scaffolding activities toward teaching with sound in his article "Sounding Out the Progymnasmata. " Jeremy Cushman and Shannon Kelly (2018) shared their podcast assignment and scaffolding used in the first-year writing program at Western Washington University, as well as a wonderful podcast that explains how the assignment was received by both teachers and students.…”
Section: Why This Book?mentioning
confidence: 99%