Sounding objects

Rocchesso, Davide; Bresin, Roberto; Fernström, Mikael

doi:10.1109/mmul.2003.1195160

Cited by 93 publications

(53 citation statements)

References 14 publications

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“…Naturalistic sound: a sound simulating or evoking everyday life sound objects or sounds of living beings, usually characterised by continuously varying time-frequency model over time: from simple white noise (wind-like sound) to complex sounds resulting from a set of equations and algorithms simulating a physical source of sound (Rocchesso, Bresin & Fernstrom, 2003). Naturalistic sounds can be more relaxing and preferable in longer sessions (Principle 1), since they cause less fatigue in the auditory system due to the continuously varying time-frequency features.…”

Section: Combination Of Phrasesmentioning

confidence: 99%

Go-with-the-Flow: Tracking, Analysis and Sonification of Movement and Breathing to Build Confidence in Activity Despite Chronic Pain

Singh

Piana

Pollarolo

et al. 2015

Human–Computer Interaction

105

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Chronic (persistent) pain (CP) affects 1 in 10 adults; clinical resources are insufficient, and anxiety about activity restricts lives. Technological aids monitor activity but lack necessary psychological support. This article proposes a new sonification framework, Go-with-the-Flow, informed by physiotherapists and people with CP. The framework proposes articulation of user-defined sonified exercise spaces (SESs) tailored to psychological needs and physical capabilities that enhance body and movement awareness to rebuild confidence in physical activity. A smartphone-based wearable device and a Kinect-based device were designed based on the framework to track movement and breathing and sonify them during physical activity. In control studies conducted to evaluate the sonification strategies, people with CP reported increased performance, motivation, awareness of movement, and relaxation with sound feedback. Home studies, a focus group, and a survey of CP patients conducted at the end of a hospital pain management session provided an in-depth understanding of how different aspects of the SESs and their calibration can facilitate self-directed rehabilitation and how the wearable version of the device can facilitate transfer of gains from exercise to feared or demanding activities in real life. We conclude by discussing the implications of our findings on the design of technology for physical rehabilitation

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Section: Combination Of Phrasesmentioning

confidence: 99%

Go-with-the-Flow: Tracking, Analysis and Sonification of Movement and Breathing to Build Confidence in Activity Despite Chronic Pain

Singh

Piana

Pollarolo

et al. 2015

Human–Computer Interaction

105

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show abstract

“…SID research attempts to address two main questions: how to study the process of meaning creation with sound, and how to create and evaluate sonic interactions (Pauletto 2013). Central to this work is the creation and use of new digital sounding objects, which are physics-based synthesis models recreating everyday actions, materials and their resulting sounds (breaking a wood stick, or crushing a shell, for example) (Rocchesso et al 2003). We are particularly interested in the design of physical objects that afford the user a particular hand action, and provide reliable sonic feedback, when interacting with a digital sounding object.…”

Section: Performative Sound: a Brief Design Historymentioning

confidence: 99%

‘Listening Back’: Exploring the Sonic Interactions at the Heart of Historical Sound Effects Performance

Keenan¹,

Pauletto²

2017

The New Soundtrack

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Article:Keenan, Fiona orcid.org/0000-0003-2046-9036 and Pauletto, Sandra orcid.org/0000-0002-9404-851X (2017) 'Listening back': exploring the sonic interactions at the heart of historical sound effects performance. ReuseItems deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. TakedownIf you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing eprints@whiterose.ac.uk including the URL of the record and the reason for the withdrawal request. 'LISTENING BACK': EXPLORING THE SONIC INTERACTIONS AT THE HEART OF HISTORICAL SOUND EFFECTS PERFORMANCEFiona Keenan and Sandra Pauletto KEYWORDS sound design , sound perception, sonic interaction design, Foley, sound performance, historical sound effects ABSTRACTThe cinematic sound design practice of Foley developed from a rich history of performative sound design through materials, objects and mechanical devices created for theatrical performance, magic lantern shows and silent cinema screenings in the late nineteenth and early twentieth century. Now, as virtual and digital methods become available in film sound design production, it is time to evaluate the contribution of these historical sound design methods through the discipline of Sonic Interaction Design (SID). Exploring the use of everyday objects and sound effects devices in the creation of a soundtrack allows us to 'listen' back and forward simultaneously. Our knowledge of historical sound practice can be updated and new practices can be generated, at the same time deepening our understanding of sound for screen that is performative in nature. This article investigates the interactivity inherent in historical sound effects performance through a case study of a mechanical and digital wind machine reconstruction, and explores its potential to inform new interactive digital methods for sound design.

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“…"metallic", "soft", "hard", "hollow", etc. Likewise, we seem to have extensive ecological knowledge of the excitatory and modulatory gestures used to generate sounds [8].…”

Section: Auditory-gesture Linksmentioning

confidence: 99%

Playing “Air Instruments”: Mimicry of Sound-Producing Gestures by Novices and Experts

Godøy

Haga

Jensenius

2006

Lecture Notes in Computer Science

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Sounding objects

Cited by 93 publications

References 14 publications

Go-with-the-Flow: Tracking, Analysis and Sonification of Movement and Breathing to Build Confidence in Activity Despite Chronic Pain

Go-with-the-Flow: Tracking, Analysis and Sonification of Movement and Breathing to Build Confidence in Activity Despite Chronic Pain

‘Listening Back’: Exploring the Sonic Interactions at the Heart of Historical Sound Effects Performance

Playing “Air Instruments”: Mimicry of Sound-Producing Gestures by Novices and Experts

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