The Oxford Handbook of Children's Musical Cultures 2012
DOI: 10.1093/oxfordhb/9780199737635.013.0006
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Songs of Japanese Schoolchildren during World War II

Abstract: This article examines the songs that Japanese schoolchildren learned during World War II and their impact on children’s lives. These songs were filled with propaganda such as Japan’s superiority over other nations, the glory of dying for the country, and the joys of working in weapons factories. The study addresses questions such as: what values were these songs reinforcing? What behaviors were being encouraged? What legacy did they leave in the minds of the children who sang them, after the war had ended? Per… Show more

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Cited by 3 publications
(4 citation statements)
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“…The first category is song books published by the Japanese colonial regime. These books contained ch'angga (shōka in Japanese), what Manabe calls "school songs" 13 or what Miyashita calls "official songs for music education, combined with Japanese verse." 14 These were introduced in Japan in the late nineteenth century by a modernizing Meiji government.…”
Section: Colonial Korea Of the 1920s: A Musical Ecologymentioning
confidence: 99%
“…The first category is song books published by the Japanese colonial regime. These books contained ch'angga (shōka in Japanese), what Manabe calls "school songs" 13 or what Miyashita calls "official songs for music education, combined with Japanese verse." 14 These were introduced in Japan in the late nineteenth century by a modernizing Meiji government.…”
Section: Colonial Korea Of the 1920s: A Musical Ecologymentioning
confidence: 99%
“…For example, Noriko Manabe writes of Japanese school songs during World War II that focus on instilling the national spirit, expanding the empire, and glorifying the military. 34 Manabe describes:…”
Section: Leadermentioning
confidence: 99%
“…Soaked with propagandistic messages, they assert the superiority of Japan over other nations, the glory of dying for one's country, the romantic imagery of conquered territories, and the joys of toiling in weapons factories, among other things. 35 Manabe considers the songs for schoolchildren to be an "important part of the wartime propaganda machine" 36 and continues to explore the values reinforced, behaviors encouraged, and legacy of the songs in the schoolchildren after the war. 37 Juliane Brauer examines how another totalitarian regime exploited the power of music in her study of music as a form of torture in Nazi concentration and extermination camps.…”
Section: Leadermentioning
confidence: 99%
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