Some Thoughts on the Practice of Oscillation

Travelling home(s): contemporary Korean art after the postcolonial

“…Rather, it puts us in the middle of processes Kee (2003) highlights in her aforementioned article on Do Ho Suh -the 'regular and consistent movement between disparate geographical locations' (p. 143). This work does not allow us to privilege 'problematic tropes such as authenticity and indignity' (p. 144).…”

“…Writing for Third Text, Joan Kee (2003) takes us past these concerns, looking more fundamentally at the limitations of approaches that focus on nationality and ethnicity. Such approaches tend to focus on nationality and race 'should be the penultimate index by which a work should be addressed ' (p. 143).…”