“…For example, renowned gravemarker scholar Harold Mytum (2004) recently identified the multivalence of symbolism in mortuary material culture in eighteenth-century Ireland, noting how specific icons often had multiple meanings that helped shape dynamic class, ethnic, and religious identities. Other anthropologists dispute the direct correspondence between cultural patterns and changes in mortuary art, highlighting instead the link between Western funerary transformations and the emergence of a burgeoning system of mercantile capitalism in America and the resulting tensions between "the powerful and powerless in a society" (McGuire 1988, p. 436;Leone 1982Leone , 1988Leone and Potter 1988). And most recently, some scholars have integrated these approaches by emphasizing both culture and class into their discussions, suggesting economic, ethnic, and emulative models for change (Bell 2005;Carson 1994;Martin 1996).…”