2019
DOI: 10.15587/2313-8416.2019.164772
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Solution of creative design of artistic and decorative form depending on the used materials

Abstract: РІШЕННЯ ТВОРЧОГО ЗАДУМУ ХУДОЖНЬО-ДЕКОРАТИВНОЇ ФОРМИ В ЗАЛЕЖНОСТІ ВІД ЗАСТОСОВАНИХ МАТЕРІАЛІВ © О. Д. Пилипчук, А. П. Полубок В статті підняте питання про актуальність проблеми рішення творчого задуму композиції художньодекоративної форми в колористичному просторі інтер'єрного середовища в залежності від застосованих матеріалів. За допомогою зробленого аналізу визначені основні принципи та запропонована структура для вирішення даної проблеми. Результати цього рішення можуть бути так само і інструментом в роботі… Show more

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Cited by 3 publications
(6 citation statements)
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“…The implementation of the creative idea of artistsdesigners through the use of objects of fine art in interior design depends, among other things, on the surface properties of the material used and the nature of its processing. In the course of the analysis, interdisciplinary studies in various fields were studied, such as psychology of perception, art theory, restoration, chemistry and others [18,[20][21][22][23]. Methods for assessing the aesthetic and functional qualities of materials in the modern sphere of their rational use have been analyzed [10,12,18,19].…”
Section: Structural Analysismentioning
confidence: 99%
“…The implementation of the creative idea of artistsdesigners through the use of objects of fine art in interior design depends, among other things, on the surface properties of the material used and the nature of its processing. In the course of the analysis, interdisciplinary studies in various fields were studied, such as psychology of perception, art theory, restoration, chemistry and others [18,[20][21][22][23]. Methods for assessing the aesthetic and functional qualities of materials in the modern sphere of their rational use have been analyzed [10,12,18,19].…”
Section: Structural Analysismentioning
confidence: 99%
“…Harmonious, visually comfortable conditions for the viewer to perceive various fine art objects in the interior are created by a combination and holistic organisation of all its structural components. The main criterion for the optimal combination is the conformity of artworks with the content and artistic imagery [2,10]. The main features when perceiving fine art in the interior are as follows: basic idea, expressiveness, purpose, function, decorative effect, visuality, size (height and width), symmetry, scale, proportion, geometric shape, appropriateness, aesthetics, colour scheme, texture, associative effect, imaginative solution, etc.…”
Section: Structural Analysismentioning
confidence: 99%
“…[5,[11][12][13][14]. We must not forget that artworks themselves have an emotional impact, and can cause various reactionsfrom positive to negative emotions [7,10,15,16]. Structural analysis based on the review of references, as well as implemented creative projects, showed that emotional reaction to the viewer's perception of an artwork in the interior is determined by associative perception and depends on the following factors: 1) aesthetic, psychological, physiological needs, individual features of the recipient [9,17,18];…”
Section: Structural Analysismentioning
confidence: 99%
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“…Any Art object is created using various materials. For a designer and an artist, this is a material that is used to implement a creative idea [18][19][20] In addition to functional specificity, the material is capable of evoking certain associations, emotional gamut of different nature (for example, shiny material is often associated with positive emotions, while dull material is often associated with negative ones).…”
Section: Introductionmentioning
confidence: 99%