South-Asian Fiction in English 2016
DOI: 10.1057/978-1-137-40354-4_12
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Solidarity, Suffering and ‘Divine Violence’: Fictions of the Naxalite Insurgency

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Cited by 6 publications
(3 citation statements)
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“…Malreddy also attributes the unpopularity of this canon to the "limited access to firsthand sources, lack of adequate ethnographic, or independent empirical studies." (Malreddy, 2016) This, we would say, stands true in the case of fiction based in a remotely accessible part of the country today, here writing becomes conjecture and imagination to fill the gaps of information.…”
Section: Observations On the Genrementioning
confidence: 94%
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“…Malreddy also attributes the unpopularity of this canon to the "limited access to firsthand sources, lack of adequate ethnographic, or independent empirical studies." (Malreddy, 2016) This, we would say, stands true in the case of fiction based in a remotely accessible part of the country today, here writing becomes conjecture and imagination to fill the gaps of information.…”
Section: Observations On the Genrementioning
confidence: 94%
“…Pavan Kumar Malreddy's work forms a chapter in South‐Asian Fiction in English (2016) edited by Alex Tickell and published by Palgrave Macmillan. His contribution to the collection concerns the Naxalite–Maoist movement through an essay entitled “Solidarity, Suffering and ‘Divine Violence’: Fictions of the Naxalite Insurgency.” He uses three novels, The Lowland , Red Skies and Falling Stars , and Seeing through the Stones to posit that in moving from nonfiction to fiction, there is a radical “shift from enchanted to disenchanted solidarity” (Malreddy, 2016). In The Lowland and Red Skies , the protagonist displays a temperamental shift from enchanted solidarity for the movement to a disenchanted solidarity.…”
Section: Contemporary Debates: What Has Been Donementioning
confidence: 99%
“…Thus, stripped of any driving rationale or justification, the Naxalite movement is thematically reduced to a notion of the folly of quixotic youthful radicalism. In eliding the suffering of “the peasants, tribals, and insurgents who rebelled”, Pavan Kumar Malreddy argues, “the novel invests heavily in the idiom of Udayan’s death as the ultimate [futile] outcome of Naxalism” (2016: 248). Prasun Maji (2015) reasons along similar lines in noting that Lahiri cobbles together a history of the Naxalites from multiple sources, but remains ultimately indifferent to it, thus offering a novel of familial strife rather than a text of resistance (105).…”
mentioning
confidence: 99%