Abstract:In the two centuries since their first publication in 1812, the Grimms' Kinder‐ und Hausmärchen have become multi‐faceted prisms for cultural production and memorial processes; in short, they function as sites of memory. Over time, the Kinder‐ und Hausmärchen have generated culturally entangled narratives that demonstrate a palimpsestic intertextuality in their numerous adaptations. This essay argues that these fairy tales have become realized and remediated not only as sites of memory but also as projects of … Show more
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