“…4 Dialogic accounts of the relationship between performance and place highlight the extent to which site-specific performance might enable theatrical material (performers, texts, scenographies, and so on) to enter into productive 'dialogue' with place -often places that theatre has commonly elided (Babb, 2008;Bennett, 2008;Somdahl-Sands, 2008;Stephenson, 2010). In palimpsestic or spectral accounts, site-specific performance negotiates an environment's past use (Hunter, 2005;Kaye, 2000;Kloetzel, 2010;Lavery, 2005;McEvoy, 2006;Pearson and Shanks, 2001;Turner, 2004). This results in what Cathy Turner, drawing on Mike Pearson, calls 'the rewriting of space through a new occupation of site in tension with what precedes it' (2004, p.374).…”