2006
DOI: 10.3764/aja.110.4.539
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Singing the Rug: Patterned Textiles and the Origins of Indo-European Metrical Poetry

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Cited by 60 publications
(8 citation statements)
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“…texere back to *tetƙ-'to fashion'). From modern observation of weavers in India and Central Asia, Tuck 2006 suggests that the metaphor originates from the practice of weaving complex designs. Since complicated designs demand the memorization of a great amount of information, weavers used rhythmic chants to remember distinctive numeric sequences and reproduce specific patterns.…”
Section: 2mentioning
confidence: 99%
“…texere back to *tetƙ-'to fashion'). From modern observation of weavers in India and Central Asia, Tuck 2006 suggests that the metaphor originates from the practice of weaving complex designs. Since complicated designs demand the memorization of a great amount of information, weavers used rhythmic chants to remember distinctive numeric sequences and reproduce specific patterns.…”
Section: 2mentioning
confidence: 99%
“…rhythmical sung sentences or rhymes used by weavers as mnemonic devices representing weave patterns. Anthony Tuck (2006) has put forward the fascinating hypothesis that the metrical sequences of archaic Greek poetry (and, more broadly, the early corpus of Indo-European metrical poetry) might have originally encoded numerical information related to weaving patterns, used in the process of fabric-making. Tuck draws this hypothesis based on two sets of comparative evidence.…”
Section: Encoded Weaving Patterns In Song?mentioning
confidence: 99%
“…The notion of correlation between work processes of textile production, particularly weaving, and literary expression and form has received more attention in relation to Greek texts. Key investigations touching on sound-play, metre and weaving are Nosch 2014; Tuck 2006;Tuck 2009.…”
Section: The Work On This Paper Was Made Possible By Support From Thementioning
confidence: 99%