In his novel, The Ballad of Ayesha (2018), Anisul Hoque portrays a young woman named Ayesha and her sufferings in life after a sudden disappearance of her husband Joynal Abedin, an officer in Bangladesh Air Force, on a fated day in 1977. Ayesha, with her two little children, determinedly fights off the woes of life and waits, with a secret hope, for her beloved husband’s return. This tale, however, throws light on a period of extensive instability and bloodshed in the history of a newly independent Bangladesh, when a great mutiny in the armed forces has been brutally suppressed by then military ruler General Ziaur Rahman in the aftermath of his ascend to power after the brutal assasination of Bangabandhu Sheikh Mujibur Rahman in the hands of a group of military officers. The novel, as I argue, presents this history in the background of Ayesha’s traumatic experience which is parallelly presented with Behula’s trauma, a legend found in the popular folk-epic Manashamangal Kavya, in the wake of Lakhinder’s death by snake-bite on their bridal chamber due to goddess Manasha’s wrath. Thus, the text intertwines the personal trauma of an ordinary village woman with a popular myth in Bengal in the context of a dark historical chapter of Bangladesh. This paper, thus, investigates the representation of history and myth in this historical novel and argues that the narrative, while presenting individual traumas of Ayesha and Behula, ultimately foregrounds a period of national trauma in the history of Bangladesh, and challenges some propagandist political narratives at the same time.