2021
DOI: 10.30872/diglosia.v4i4.242
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Sifat Kepahlawanan Tokoh Bujang dalam Novel "Pulang" Karya Tere Liye

Abstract: This study aims to provide an overview of heroic traits shown by the character Bujang in Tere Liye's novel Pulang. The method used in analyzing the data is qualitative method because the data collected and analyzed are in the form of narratives and dialogues in the text related to the heroic traits possessed by Bujang as the main character in the novel. Furthermore, this study uses descriptive techniques to define the heroic traits found in Bujang character. From the results of the analysis, it was found that … Show more

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Cited by 2 publications
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“…Pengarang dapat menggambarkan kehidupan seseorang atau kehidupan dirinya sendiri. Karya sastra, merupakan alat yang dapat digunakan untuk menyampaikan pesan melalui teks pesan yang tersampaikan merupakan gambaran fenomena yang terjadi (Valiantien & Ariani, 2021). Realitas yang ada dalam karya sastra merupakan ilusi kenyataan dan kesan yang meyakinkan, namun tidak selalu merupakan kenyataan sehari-hari.…”
Section: A Pendahuluanunclassified
“…Pengarang dapat menggambarkan kehidupan seseorang atau kehidupan dirinya sendiri. Karya sastra, merupakan alat yang dapat digunakan untuk menyampaikan pesan melalui teks pesan yang tersampaikan merupakan gambaran fenomena yang terjadi (Valiantien & Ariani, 2021). Realitas yang ada dalam karya sastra merupakan ilusi kenyataan dan kesan yang meyakinkan, namun tidak selalu merupakan kenyataan sehari-hari.…”
Section: A Pendahuluanunclassified
“…This power operates through five forms: operating in various aspects; arising from distinction, discrimination, and inequality; not in a superstructure position; intentional and covert; and power always produces anti-power. Foucault (2004) emphasized the importance of interpreting the relationships between discourses such as politics and economics, including discourse in literary works (Ayuningtiyas, 2019;Hussen, 2023;Kamariah et al, 2020;Latupeirissa & Tjahyono, 2021;Nasution, 2024). The discourse formations in literary works do not constitute a single retrospective unity but are a dispersion or diversity of various objects.…”
Section: Introductionmentioning
confidence: 99%