Sidney's Sister as Translator of Garnier

Abstract

In the major study concerning the relationship between the French dramatist, Robert Garnier, and the Elizabethan drama, the author, A. M. Witherspoon, tends to see literary choice as primarily motivated by casual personal considerations. He claims, for example, that Garnier, living in a period of civil strife in France, chose Roman themes for several of his tragedies because he admired ‘the Roman genius for organization’. Likewise he explains the Countess of Pembroke's attraction to Garnier's tragedies in that they centered around strong-minded women like Portia and Cornelia.Although one cannot, of course, discount the importance of congeniality of theme in a dramatist's selection of a subject to portray or of a translator's choice of a work to render, one must not at the same time overlook certain other influences which govern these choices. And, in fact, since both Garnier and the Countess of Pembroke wrote as members of learned and circumscribed coteries, we might expect external influences to assume more than usual importance.