2019
DOI: 10.7152/nasko.v7i1.15615
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Side by Side: The Use of Multiple Subject Languages in Capturing Shifting Contexts around Historical Collections

Abstract: Archival representations strive to convey the original context around historical collections, but perspectives on certain topics and materials may change over time. Such shifting perspectives pose problems for providing appropriate subject access without obscuring contexts or misrepresenting resources in their broader cultural settings. This study seeks to examine these problems through an investigation of historical materials associated with American sideshows, public opinions on which changed drastically fro… Show more

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Cited by 4 publications
(3 citation statements)
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“…Ranganathan’s (1957) canon of permanence stipulating that descriptive characteristics should continue to be both ascertainable and unchanged, so long as there is no change in the purpose of the classification). Dobreski et al (2019) suggest that using descriptors from multiple subject vocabularies can help searchers navigate descriptions that have changed over time. Yet not only do labels for identities change over time (from pejorative to more socially acceptable), identities themselves may change (e.g.…”
Section: Discussionmentioning
confidence: 99%
“…Ranganathan’s (1957) canon of permanence stipulating that descriptive characteristics should continue to be both ascertainable and unchanged, so long as there is no change in the purpose of the classification). Dobreski et al (2019) suggest that using descriptors from multiple subject vocabularies can help searchers navigate descriptions that have changed over time. Yet not only do labels for identities change over time (from pejorative to more socially acceptable), identities themselves may change (e.g.…”
Section: Discussionmentioning
confidence: 99%
“…There is an apparent nascent interest in historical ontologies, such as the use of multiple period vocabularies to contextualize nineteenth-century sideshow performer images in the Ronald G. Becker Collection of Charles Esenmann Photographs [26].…”
Section: Discussionmentioning
confidence: 99%
“…Step Four: Knowledge Graphs The basic structure of the knowledge graph is based on the Linked Archives ontology, which included the Belfer Cylinders Collection, the Ted Koppel Collection, and the Ronald G. Becker Collection of Charles Eisenmann Photographs (Dobreski et al, 2019). The initial graph structure contained four node types (Collection, Item, Subject, and Person) and three relationship types (is part of, has subject, and is related to).…”
Section: Methodsmentioning
confidence: 99%