2017
DOI: 10.1111/cuag.12085
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“Show Farmers”: Transformation and Performance in Telangana, India

Abstract: In this article, I describe a paradoxical but necessary creation of the development apparatus: the "show farmer" (Stone 2014). Various corporate, state, and NGO development projects call upon show farmers to demonstrate the viability of alternative agriculture for visiting funders, scientists, media, and growers. As village gatekeepers, show farmers cultivate local celebrity and publicize a model not just for their community but for the sustainability of agricultural development interventions in the global Sou… Show more

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Cited by 12 publications
(11 citation statements)
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“…Busse and Sharp (2019) made those shared values explicit and visible through morality in the context of transactions, what Carrier (2018) previously calls "moral economy", occurring in the Papua New Guinea marketplaces. By foregrounding the struggle of Caribbean banana farmers to persist in agriculture, what Moberg (2014) evoked is the paradox of economic morality where Fair Trade certification frequently violates farmers' moral economic relationships that occur through the realm of consumer choice (Flachs 2017).…”
Section: Place and Provenancementioning
confidence: 99%
“…Busse and Sharp (2019) made those shared values explicit and visible through morality in the context of transactions, what Carrier (2018) previously calls "moral economy", occurring in the Papua New Guinea marketplaces. By foregrounding the struggle of Caribbean banana farmers to persist in agriculture, what Moberg (2014) evoked is the paradox of economic morality where Fair Trade certification frequently violates farmers' moral economic relationships that occur through the realm of consumer choice (Flachs 2017).…”
Section: Place and Provenancementioning
confidence: 99%
“…Like all such "show farmers" (Flachs 2017;Stone 2014), Mahesh was instrumental not only when PANTA wanted to gain trust in the village but also when they needed to adapt agricultural theory to local practice. When I asked if the NGO used any of his suggestions, Mahesh grinned.…”
Section: Mahesh and The Benefits Of Celebritymentioning
confidence: 99%
“…Such "show farmers" (Stone 2014) or "superlative sufferers" (Heller 2018) illustrate the potential of agricultural development programs and humanitarian interventions. Within the context of agricultural development, these kinds of performances serve a variety of different purposes for the farmers, programs, and documenters involved: they secure access to social and economic resources (Flachs 2017;Heller 2018); i) they allow development subjects and aid recipients, broadly defined, to develop a narrative that orders their experiences (Escobar 2011;James 2010); ii) they provide a means by which these people can shape development to their own interests and agendas (Flachs 2016); iii) they emerge from improvisational responses to unexpected variables in social and agricultural life (Richards 1993) as well as from carefully planned engagements with development organizations and ecological constraints (Batterbury 1996); iv) and, of course, they provide first-hand testimonials for larger institutions.…”
Section: Introductionmentioning
confidence: 99%
“…It was about tinkering with and celebrating new low cost technologies for recuperating small-scale agriculture. As we walked back towards the house Mr. Kumar revealed his plans to make Mr. Appachan's farm a model farm for the experimental application of jīvāmṛta for paddy cultivation (on model farms see also Flachs 2017). The collaboration between the alternative farmer and the state agronomist occurred at a moment in which it would be easy to dismiss science as inhumane and flawed (Shiva 1991) and alternative agriculture as reactionary and nativist (Nanda 2003).…”
Section: Introductionmentioning
confidence: 99%