Abstract:In an attempt to conceptualise literary multilingualism—or just “lingualism,” to use Robert Stockhammer’s term—without reifying language boundaries, this article reads literary fiction as a negotiation of different regimes of comprehensibility. These negotiations occur (1) on the level of the story-world, (2) materially, in the mediation of the narrative as book artefact and (3) between these two levels. Lingualism, then, is not just context-sensitive but context-constituted. The apparently anarchic freedom of… Show more
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