Abstract:The collaboration between William Forsythe and Issey Miyake in Ballett Frankfurt’s The Loss of Small Detail (1991) includes the Colombe dress, used in the finale of the first act, “the second detail.” If seen as a parallel choreographic object in Forsythe’s work, Miyake’s Colombe as “one piece of cloth” concept suggests the fold (Deleuze, 1993) as a potent epistemological principle that unites various versions of the work. Used in the solo dance that bridges two acts, the Colombe dress via the figure of fold v… Show more
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