2001
DOI: 10.1353/shq.2001.0057
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Shakespeare's Hair: Staging the Object of Material Culture

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Cited by 22 publications
(2 citation statements)
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“…Jonathan Gil Harris, for one, has criticized recent fascination with "the glittering world of goods" in Renaissance studies for treating arrays of "mundane yet magical things" as timeless windows into alluring lost worlds. 45 And in a wide-ranging polemic against the modern "memory industry" in the historical disciplines, Kerwin Lee Klein attacks notions of "structural memory" which make "a seemingly endless array of physical objects part of memory." 46 While full responses to these telling critiques must await another occasion, in conclusion here I can pin down some challenges which historical cognitive science of the kind I've been recommending needs to meet.…”
Section: Conclusion and Challengesmentioning
confidence: 99%
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“…Jonathan Gil Harris, for one, has criticized recent fascination with "the glittering world of goods" in Renaissance studies for treating arrays of "mundane yet magical things" as timeless windows into alluring lost worlds. 45 And in a wide-ranging polemic against the modern "memory industry" in the historical disciplines, Kerwin Lee Klein attacks notions of "structural memory" which make "a seemingly endless array of physical objects part of memory." 46 While full responses to these telling critiques must await another occasion, in conclusion here I can pin down some challenges which historical cognitive science of the kind I've been recommending needs to meet.…”
Section: Conclusion and Challengesmentioning
confidence: 99%
“…Foxe, John,Sigmund,56,84 Fulke,William,177 Galen,79,177,192,201 gardens,6,7,8,[35][36][37][38][39][40][41][42][43][44][45][46][47][48][49][50][51]56,67,133,204 Geertz,Clifford,78,79 genre,[6][7]9,73,92,100,190,191 geohumoralism,5 Giddens,Anthony,79 Giles,Peter,197,198 Grafton,Anthony,190,196 Greenblatt,…”
mentioning
confidence: 99%