2016
DOI: 10.1080/23268743.2015.1100799
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Sexual affects and active pornographic space in the networked Gay Village

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Cited by 5 publications
(2 citation statements)
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“…It gives a sense of reality and honesty" (2015, 70). This relates not only to app-based profile pictures, but also the sexual photos shared between users-a common practice among gay/queer men on hook-up apps (Arroyo 2016), but one that is also commonly practiced among young people more broadly. As found in the most recent Australian National Survey of Secondary Students and Sexual Health, almost half of surveyed participants (44.1%) had received sexually explicit images via mobile phones, and almost one-third (32%) had sent sexually explicit images to others (Fisher et al 2019).…”
Section: Diy Porn and Digital Media Authenticitiesmentioning
confidence: 99%
“…It gives a sense of reality and honesty" (2015, 70). This relates not only to app-based profile pictures, but also the sexual photos shared between users-a common practice among gay/queer men on hook-up apps (Arroyo 2016), but one that is also commonly practiced among young people more broadly. As found in the most recent Australian National Survey of Secondary Students and Sexual Health, almost half of surveyed participants (44.1%) had received sexually explicit images via mobile phones, and almost one-third (32%) had sent sexually explicit images to others (Fisher et al 2019).…”
Section: Diy Porn and Digital Media Authenticitiesmentioning
confidence: 99%
“…Most porn studies research on affect builds on the contribution of Paasonen, who in 2011 published Carnal Resonance, in which she develops the titular concept to describe the movement and intensities of affects between bodies and porn. Like Paasonen's Carnal Resonance, most affective porn research typically falls within the first camp of theorizing affect as it relates to porn, given many researchers' focus on intensities and encounters (e.g., Arroyo, 2016;Rehberg, 2019). While a small proportion of scholars have taken up the third position of reflecting on the scholarly self and their affective porn experience (e.g., Vörös, 2015), little attention has been given to the second approach Paasonen identifies.…”
mentioning
confidence: 99%