Serial Revolutions 1848

Abstract

1848 was a pivotal moment not only in Europe but in much of the rest of the world too. Marx’s scornful dismissal of the revolutions created a historiography of 1848 that has persisted for more than 150 years. Serial Revolutions 1848 shows how, far from being the failure that Karl Marx claimed them to be, the revolutions of 1848 were a powerful response to the political failure of governments across Europe to care for their people. Crucially, this revolutionary response was the result of new forms of representation and mediation: until the ragged and the angry could see themselves represented, and represented as a serial phenomenon, such a political consciousness was impossible. By the 1840s, the developments in printing, transport, and distribution discussed in Clare Pettitt’s Serial Forms: The Unfinished Project of Modernity, 1815–1848 (Oxford University Press, 2020) had made the social visible in an unprecedented way. This print revolution led to a series of real and bloody revolutions in the streets of European cities. The revolutionaries of 1848 had the temerity to imagine universal human rights and a world in which everyone could live without fear, hunger, or humiliation. If looked at like this, the events of 1848 do not seem such ‘poor incidents’, as Marx described them, nor such an embarrassing failure after all. Returning to 1848, we can choose to look back on that ‘springtime of the peoples’ as a moment of tragi-comic failure, obliterated by the brutalities that followed, or we can look again, and see it as a proleptic moment of stored potential, an extraordinary series of events that generated long-distance and sustainable ideas about global citizenship, international cooperation and a shared and common humanity which have not yet been fully understood or realized.

bestiario anticlerical

“…Sirva de muestra una de James Gillray, "A peep into the cave of jacobinism" 113 , donde una alegoría de la Verdad, asociada esta vez a una corona monárquica, deslumbra a otra del jacobinismo, a la que sorprende en su guarida, hecho que pone en fuga a una serpiente, murciélagos y sapos, entre otras criaturas. O también una de Richard Doyle, "The Great Serpent of 1848", donde el gigantesco ofidio lleva el gorro frigio, un tropo que además fue emulado por otros caricaturistas en Francia y Alemania 114 .…”