“…Anthropologists had been attending to the "implosion" of nature and culture (Haraway 1997) as they tracked how genetics were reconfiguring dominant idioms of inheritance, family, gender, race, species, and more (Strathern 1992, Franklin 2003, Goodman et al 2003. Along with other humanistic social scientists, particularly in STS, anthropologists saw bio art as promising a "tactical biopolitics" (da Costa & Philip 2008), a set of tools through which the facts of life might be denaturalized and rewritten in dialogue with science, culture, and art (Heon & Ackerman 2000, Bureaud 2002, Thompson 2005, Jones 2006, Kac & Ronell 2007, Terranova & Tromble 2016. Anthropologists working in "multispecies ethnography" (Kirksey & Helmreich 2010) and in feminist ethnography animated by "cyborg anthropology" (Downey et al 1995) were drawn to the work of such artists as Caitlin Berrigan, the Bioart Kitchen, Natalie Jeremijenko, Claire Pentecost, and others, whose art made use of laboratory rhetoric and techniques.…”