Senses and Sensibilities in Sarojini Naidu’s Poetry

Abstract

The senses play a crucial role in the poetry of Sarojini Naidu , both on the level of theme and on the level of aesthetics. Throughout this essay, I show how Naidu creates multisensorial sensescapes that evoke the Indian aesthetic principle of rasa, which literally translates into English as 'juice, essence, or taste' and which, in the context of aesthetic theory, denotes the emotive essence of and response to a piece of art. The early twentieth century saw a revival of classical Indian aesthetics, including rasa. Translating this ancient Indian aesthetic principle into modern poetry in English, Naidu harks back to a pre-colonial cultural idea(l) in order to form a national identity that is independent of the coloniser's political and cultural imperialism.

Commonwealth, empire, and critique in South Asia

“…In 2021, a special section on senses in late colonial India, themed around the idea of “making sense of empire”, explores sense perception as a way of negotiating power in the late colonial period (Duggal and Hoene, 2021). Christin Hoene (2021) turns to Sarojini Naidu’s poetry to argue that this sensory intensity grounds her anti-imperialist poetics. Manjit Baruah (2021) explores the sensory world of imperialism through representations of hunting on the frontier of a tea plantation, where sensory experience mediates imperial crisis.…”