The Cambridge Companion to Seneca 2015
DOI: 10.1017/cco9781139542746.001
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Seneca

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“…14 Recent work in Classics has also emphasized Seneca's innovative and influential perspectives on the self, both in his philosophical writing and in his tragedies. 15 Part of what I am doing in this book is connecting these dots, linking Shakespeare's supposedly epoch-making interest in radical individuation with aspects of Senecan tragedy that he drew upon and which might be said to explore the same thing. But Seneca's own interest in self-shaping and self-command, as Shadi Bartsch has explained, is inextricable from his historical situation in early-imperial Rome: the inward turn in his philosophical writing can be described as compensatory, a way to think about virtue after the collapse of a republican environment which had allowed for a more community-based sense of ethical duty.…”
mentioning
confidence: 99%
“…14 Recent work in Classics has also emphasized Seneca's innovative and influential perspectives on the self, both in his philosophical writing and in his tragedies. 15 Part of what I am doing in this book is connecting these dots, linking Shakespeare's supposedly epoch-making interest in radical individuation with aspects of Senecan tragedy that he drew upon and which might be said to explore the same thing. But Seneca's own interest in self-shaping and self-command, as Shadi Bartsch has explained, is inextricable from his historical situation in early-imperial Rome: the inward turn in his philosophical writing can be described as compensatory, a way to think about virtue after the collapse of a republican environment which had allowed for a more community-based sense of ethical duty.…”
mentioning
confidence: 99%