Semiotic Analysis on Characters "Terbaik Dari Langit"

Abstract

This study analyzes signage systems and markers that have meaning in terms of character and character in the film. The Best Movies From Heaven published in 2014 were used as a study material. In the context of this research, the film is a full-text and multi-interpretative text composed of markers and markers. This corresponds to the notion of semiotic theorist Roland Barthes who developed the Pierce signage system to a wider two-stage marking marker and a sign to detonations, connotations, and myths. Detonation is what we see through the image / visual / image. The connotation is what we can think about its meaning. Therefore, the researcher formulated the following problem: how the meaning of construction in the selected film is related to character and semiotic analysis. The selection of scenes on a particular character in the movie will be reviewed for the purpose of obtaining the marking system that is being tried. This study found that a film featured The narrative of social-cultural relations is not merely a single moving image but involves a lot of specific messages being tried through sign and meaning systems. This sign and meaning system is not easy to get by simply watching a cinematographic narrative and technique but needs to relate to the social and reality of human life. The film is a discourse from the reality of the society and is different from the reflection of the reality in which the film forms and re-presents reality based on codes, conventions, and cultural ideologies (Sobur, 2009: 128). Movie work is developed with a solely marking system that is both verbal and non-verbal symbols that have to mean either denotative meaning nor connotative meaning.

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“…Meaning in semiotics is a result of the relationship between the signifier (picture, colour, sound, word, etc.) and the signified (Hisham, Md Dawam, & Achin, 2019;Jha, Raj, & Gangwar, 2017;Ownby, 2021). Because this relationship is arbitrary, meaning must be constructed socially and historically in the interaction between text and audience.…”