2019
DOI: 10.1111/disa.12353
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Selling displaced people? A multi‐method study of the public communication strategies of international refugee organisations

Abstract: The world has seen a major increase in forced displacement since 2011. As a growing number of states implement restrictive refugee policies, public communication has become essential for refugee organisations. This study analysed, therefore, three international refugee organisations’ discursive strategies towards the recent Syrian crisis, as well as their production and the social context. A critical discourse analysis of international press releases (N=122) and six semi‐structured interviews with press and re… Show more

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Cited by 10 publications
(10 citation statements)
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“…Forcibly displaced people's humanitarian images have generally changed from heroic, politicized individuals in the Cold War period to, mirroring media and political discourses (supra), anonymous, voiceless, depoliticized, dehistoricized, decontextualized, universalized, racialized, and/or victimized masses from the "Global South," mostly involving (innocent and vulnerable-looking) women and children as "ideal victims" (Höijer, 2004;Johnson, 2011b). Recognizing important genre differences (Ongenaert and Joye, in review), mainly refugee organizations, celebrities, and other humanitarian actors obtain voices about forcibly displaced people, largely neglecting and dehumanizing forcibly displaced people themselves (Chouliaraki, 2012;Ongenaert and Joye, 2019). These discursive transformations interact with the aforementioned policy shifts and serve to mobilize public support and manage forcibly displaced people's perceived threats (Johnson, 2011b).…”
Section: Representation Strategiesmentioning
confidence: 99%
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“…Forcibly displaced people's humanitarian images have generally changed from heroic, politicized individuals in the Cold War period to, mirroring media and political discourses (supra), anonymous, voiceless, depoliticized, dehistoricized, decontextualized, universalized, racialized, and/or victimized masses from the "Global South," mostly involving (innocent and vulnerable-looking) women and children as "ideal victims" (Höijer, 2004;Johnson, 2011b). Recognizing important genre differences (Ongenaert and Joye, in review), mainly refugee organizations, celebrities, and other humanitarian actors obtain voices about forcibly displaced people, largely neglecting and dehumanizing forcibly displaced people themselves (Chouliaraki, 2012;Ongenaert and Joye, 2019). These discursive transformations interact with the aforementioned policy shifts and serve to mobilize public support and manage forcibly displaced people's perceived threats (Johnson, 2011b).…”
Section: Representation Strategiesmentioning
confidence: 99%
“…Meetings with forcibly displaced people are usually represented as contributions to self-development (Chouliaraki, 2012). While this celebrity humanitarianism can reach broader audiences (Ongenaert and Joye, 2019), citizens tend to engage and identify more with the media spectacle and celebrities than with forcibly displaced people (Chouliaraki, 2012;Kyriakidou, 2019).…”
Section: Representation Strategiesmentioning
confidence: 99%
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“…Humanitarian organizations are major actors in the public communication on migration, and they have significant agenda setting possibilities. Based on their analysis of press releases and communication strategies of major international refugee organizations, David Ongenaert and Stijn Joye (2019), however, conclude that through their ‘marketisation’, they often de-humanize displaced people, subordinating them to the ‘Western self’ and state interests (p. 478). As elaborated by Bimbisar Irom (2018), virtual reality (VR) has gained traction in humanitarian communication, spurred by its promises of co-presence, experiential immediacy and transcendence.…”
Section: The Narratives Of Media Professionalsmentioning
confidence: 99%