Self-Portrait, Selfie, Self: Notes on Identity and Documentation in the Digital Age

Abstract

Though the self-portrait has been hailed as the defining artistic genre of modernity, there is not yet a good account of what the self-portrait actually is. This paper provides such an account through the lens of document theory and the philosophy of information. In this paper, the self-portrait is conceptualized as a kind of document, more specifically a kind of self-document, to gain insight into the phenomenon. A self-portrait is shown to be a construction, and not just a representation, of oneself. Creating a self-portrait then is a matter of bringing oneself forth over time—constructing oneself, rather than simply depicting oneself. This account provides grounds to consider whether or how the selfie truly is a form of self-portrait, as is often asserted. In the end, it seems that while both are technologies for self-construction, the self-portrait has the capacity for deep self-construction, whereas the selfie is limited to fewer aspects of the self. This prospect leads into an ethical discussion of the changing concept of identity in the digital age.

Temporary or permanent social media post? The impact of product type

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From Attentiveness to Distraction: The Transformation of Belief and Disbelief in Western Society

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The Transgender Flipping Point: How Trans Instagrammers Flip the Script on Identity

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