Selections from The Search for the Beautiful Woman: A Cultural History of Japanese and Chinese Beauty

Kyo, Cho; Selden, Kyoko

doi:10.1353/roj.2015.0022

Cited by 3 publications

(4 citation statements)

References 2 publications

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“…Cho Kyo (2012), mendefinasikan wanita cantik sebagai "an image as a whole; is an impression" merujuk kepada sifat luaran atau fizikal yang beliau terma sebagai "beautiful looks" yang berfungsi sebagai "a complete womanly excellence" (Ruby Blondell, 2013, p. 1). Oleh yang demikian, merujuk kepada definisi Cho Kyo dan Ruby Blondell takrifan definisi wanita cantik untuk kajian ini adalah seorang wanita yang mempunyai kualiti kesempurnaan yang tinggi.…”

Section: Kajian Literaturunclassified

“…Dalam erti kata lain, kesahihan dari kerajaan ini berfungsi sebagai konotasi pengikhtirafan dan penerimaan Tun Fatimah sebagai wanita paling cantik di Melaka, oleh seluruh rakyat Melaka ketika itu. Justeru, pengikhtirafan ini menyumbang kepada "beauty myth" Tun Fatimah yang ditermakan oleh Adams dan Adams (2015) melalui definisi Cho Kyo (2012), wanita cantik sebagai "an image as a whole; is an impression" dan diperakui hingga ke hari ini.…”

Section: Dato Bendaharaunclassified

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Wanita Cantik Dan Kejatuhan Pemerintahan Hebat Dalam Filem “Tun Fatimah” (1962)

Bakar

2021

JOMAS

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Beautiful women have often been associated with great men of authority and governance in various kingdoms. However, according to scholars, the beautiful female subject also serves as a domineering figure that monopolises the man himself. She can also be a contributing factor towards the downfall of an empire and the world of the man she exists in. For instance, this phenomenon occurred during certain Chinese dynasties. Hence, this research, using the film titled “Tun Fatimah” (1962), focuses on studying and analysing the relationship between the beauty of Tun Fatimah – the daughter of the “Dato‟ Bendahara” of Malacca and the wife of Tun Ali – and the creation of a “sultan” (king), who was still a bachelor and governed tyrannically. Subsequently, history witnessed the king‟s downfall as a ruler in the larger context of the Malay World. It also led to fissures within the great Malaccan sultanate. This research utilises a qualitative approach, focusing on the detailed textual-narrative analysis of the film, supported by the epistemology of desire. Findings show that Tun Fatimah‟s beauty, which was befitting as queen for the Malaccan sultanate, is the main factor in contributing to the libido imbalance of the king and the weakness of hegemonic masculinity in the empire. The imbalance triggered the king‟s irrationality as shown through his emotions such as the thirst for vengeance, anger, jealousy, guilt and regret. In conclusion, the factors proved they did contribute fully to creating a tyrannical Malaccan king.

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Section: Kajian Literaturunclassified

Section: Dato Bendaharaunclassified

Wanita Cantik Dan Kejatuhan Pemerintahan Hebat Dalam Filem “Tun Fatimah” (1962)

Bakar

2021

JOMAS

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“…Pandangan ini juga telah mengakar pada budaya tertentu dimana, pemaknaan yang cenderung menganggap bahwa perempuan cantik itu adalah yang berkulit putih, memiliki kaitan erat dengan konsep hubungan kekuasaan antar budaya. Secara sederhana, seseorang dengan kewarganegaraan yang dianggap sangat maju terlihat lebih menarik secara fisik, sedangkan kelompok lain yang "terbelakang" dianggap lebih jelek (Kyo, 2012).…”

Section: Girl-next-doorunclassified

Konstruksi Kecantikan Pada Unggahan Foto Model Endorsement Di Akun Instagram @Roromendutbeauty (Periode Juli-Desember 2019) Beauty Construction on the Endorsement Model Photo Upload at @Roromendutbeauty Instagram Account (Period July to December 2019)

Dewi,

Widiarti

2021

Lektur

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KONSTRUKSI KECANTIKAN PADA UNGGAHAN FOTO MODEL ENDORSEMENT DI AKUN INSTAGRAM @ROROMENDUTBEAUTY (PERIODE JULI-DESEMBER 2019) BEAUTY CONSTRUCTION ON THE ENDORSEMENT MODEL PHOTO UPLOAD AT @ROROMENDUTBEAUTY INSTAGRAM ACCOUNT (PERIOD JULY TO DECEMBER 2019) Oleh : Qur’ani Puspa Dewi, 14419144008, Ilmu Komunikasi, Fakultas Ilmu Sosial, Universitas Negeri Yogyakartaqpuspad@gmail.com AbstrakPenelitian ini bertujuan untuk mendeskripsikan; 1) Konstruksi kecantikan yang terdapat dalam akun Instagram @roromendutbeauty melalui unggahan foto model endorsement. 2) Kecenderungan tipe kecantikan yang ada pada unggahan foto model endorsement di akun @roromendutbeauty. Penelitian ini menggunakan metodologi kualitatif yang bersifat deskriptif dengan metode analisis isi (content analysis). Sejumlah 43 buah unggahan foto model endorsement dipilih sebagai objek dalam penelitian ini. Sumber data primer tersebut diperoleh melalui metode studi dokumen dengan peneliti sebagi instrumen penelitian. Keabsahan data diperoleh melalui triangulasi sumber (data triangulation). Data dianalisis menggunakan metode analisis isi (content analysis) kualitatif dengan menerapkan langkah-langkah berupa membuat pertanyaan penelitian, menentukan definisi kategori, membuat formulasi langkah demi langkah kategori indukstif dari materi, melakukan revisi kategori, melaksanakan pekerjaan akhir dari keseluruhan teks dan menyajikan interpretasi hasil. Hasil penelitian menunjukkan bahwa; 1) Akun Instagram @roromendutbeauty lewat unggahan foto model endorsement mengkonstruksikan kecantikan melalui karakter fisik perempuan yaitu yang memiliki kulit terang/putih, bertubuh langsing/kurus, serta memiliki rambut yang panjang dan lurus. Selanjutnya, kecantikan dimaknai dari dua sisi, yaitu kecantikan luar yang ditampilkan secara natural dan lebih berfokus pada kodisi kulit bukan make up serta aspek inner beauty yaitu perempuan yang memliki attitude dengan gaya yang tidak terlalu dibuat-buat. 2) Kecenderungan tipe kecantikan yang muncul adalah tipe kecantikan classic beauty/feminine yang ditampilkan lewat model endorsement dengan gaya pakaian sederhana yaitu memakai jenis pakaian yang tertutup berupa kaos/kemeja.Kata Kunci: Konstruksi kecantikan, Tipe kecantikan, Instagram, Analisis isi, Beauty Match-Up HypothesisAbstractThis study aims to describe; 1) Beauty constructions contained in the @roromendutbeauty Instagram account through uploading photos of endorsement models. 2) The tendency of beauty types in the upload of endorsement model photos on the @roromendutbeauty account. This study uses a qualitative methodology that is descriptive with content analysis methods. A total of 43 uploaded photos of the endorsement model were selected as objects in this study. The primary data source was obtained through the document study method with the researcher as a research instrument. The validity of the data was obtained through source triangulation (data triangulation). The data were analyzed using qualitative content analysis methods by applying the steps in the form of making research questions, determining category definitions, making step-by-step formulations of the indifferent categories of the material, conducting category revisions, carrying out the final work of the entire text and presenting the interpretation of the results. The results showed that; 1) Instagram account @roromendutbeauty by uploading a photo of an endorsement model constructs beauty through the physical character of women, namely those who have light / white skin, are slim / thin, and have long and straight hair. Furthermore, beauty is interpreted from two sides, namely outer beauty that is displayed naturally and focuses more on the condition of the skin, not make-up, and aspects of inner beauty, namely women who have an attitude with a style that is not too artificial. 2) The tendency of the type of beauty that appears is the classic beauty / feminine type which is displayed through the endorsement model with a simple clothing style, namely wearing a closed type of clothing in the form of a t-shirt /shirt.Keywords: Beauty construction, beauty type, Instagram, Content analysis, Beauty Match-Up Hypothesis

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“…foram a raspagem e os desenhos de novas sobrancelhas. Sobrancelhas arqueadas e finas, semelhantes ao formato de lua, eram consideradas símbolos de elegância na face (KYO;SELDEN, 2012).…”

Section: Introductionunclassified

Acupuntura aplicada à estética facial para redução de rugas de expressão: ensaio clínico

Souza¹

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À minha orientadora, Ruth Natália Teresa Turrini, pela amizade, carinho, atenção e zelo tão especiais nesses anos. Pela preocupação não somente com a realização do trabalho, mas comigo como ser humano. Pela liberdade de ação que me deu para realização deste trabalho. A admiro pelo seu dinamismo, por compartilhar sua sabedoria e por tratar o conhecimento como arte; agradeço pelas oportunidades, conselhos e motivações que me proporcionaram grande crescimento pessoal e profissional. Muitíssimo obrigada! Ao meu Coorientador, Antônio Carlos Loureiro Lino, pela confiança, pela amizade, conselhos e paciência. Você é um exemplo de simplicidade, compreensão e competência. Agradeço por ter assumido minha coorientação em um tema um pouco diferente do seu trabalho, tendo-me brindado com importante colaboração na apresentação dos resultados, dosando as críticas com comentários de incentivo. Sou profundamente grata! Ao Natanael, querido companheiro, por todo amor, carinho, compreensão e apoio em tantos momentos complicados desta caminhada. Pelas várias leituras do meu texto e pelas valiosas contribuições e sugestões. Obrigada por permanecer ao meu lado! Aos meus filhos Gabriel e Tiago, pela compreensão e ternura sempre manifestadas apesar da minha falta de atenção e ausências. Especialmente ao Gabriel, pela excitação e orgulho com que sempre reagiu aos resultados acadêmicos da "mãe/amiga" ao longo dos anos. Espero que o entusiasmo, seriedade e empenho que dedico ao trabalho lhe possa servir de estímulo para fazer sempre "mais e melhor". E Tiago, você é o meu anjo azul; com você aprendo muito a cada dia! A sua existência é o reflexo mais perfeito da existência de Deus. E chegou o momento de expressar sinceros agradecimentos a tantas pessoas que colaboraram comigo neste trabalho. Essa é, sem dúvida, a parte mais difícil de escrever. Foram muitas as pessoas que estiveram ao meu lado durante essa caminhada. Talvez eu não consiga expressar toda a minha gratidão por meio de palavras... Bem sei que corro o risco de não dar conta desse 'muitíssimo obrigada' como é merecido, porque será difícil exprimir a beleza que foi esse movimento de energias chegando e colocando ordem em tudo que precisava ser feito. Destaco também um sentido: o da formação de uma verdadeira rede de amizades e de muito, muito afeto. Meus sinceros agradecimentos: À Patrícia Freitas, coordenadora do laboratório da escola de enfermagem (CELAB) pela colaboração irrestrita, pela amizade, camaradagem e por encontrar soluções quando tudo parceria ser impossível. Te admiro demais! Você é uma pessoa incrível!! Ao Thiago, pela parceria, paciência, por acompanhar o trabalho e sugerir várias opções para que tudo desse certo nas imagens. Você é o melhor geógrafo que conheci! À minha amiga incondicional Marta, por cuidar de mim, me ouvir, me aconselhar e tomar um bom vinho comigo no final dos nossos encontros (e foram muitos...). À Viviane Camargo, por toda ajuda, disponibilidade e amizade; sua colaboração para que eu conseguisse trabalhar e realizar a pesquisa foi fundamental....

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Selections from The Search for the Beautiful Woman: A Cultural History of Japanese and Chinese Beauty

Cited by 3 publications

References 2 publications

Wanita Cantik Dan Kejatuhan Pemerintahan Hebat Dalam Filem “Tun Fatimah” (1962)

Wanita Cantik Dan Kejatuhan Pemerintahan Hebat Dalam Filem “Tun Fatimah” (1962)

Konstruksi Kecantikan Pada Unggahan Foto Model Endorsement Di Akun Instagram @Roromendutbeauty (Periode Juli-Desember 2019) Beauty Construction on the Endorsement Model Photo Upload at @Roromendutbeauty Instagram Account (Period July to December 2019)

Acupuntura aplicada à estética facial para redução de rugas de expressão: ensaio clínico

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