2012
DOI: 10.1080/00405841.2012.636333
|View full text |Cite
|
Sign up to set email alerts
|

Seeing and Hearing Students' Lived and Embodied Critical Literacy Practices

Abstract: In this article, the authors argue that teachers and researchers must expand current verbo-and logo-centric definitions of critical literacy to recognize how texts and responses are embodied.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
47
0

Year Published

2014
2014
2021
2021

Publication Types

Select...
10

Relationship

0
10

Authors

Journals

citations
Cited by 57 publications
(50 citation statements)
references
References 13 publications
(8 reference statements)
0
47
0
Order By: Relevance
“…When students create stories and narratives about their valued objects they not only empower their literacy skills but also engage in artistic way of thinking through interpreting and meaning-making. The story telling and narrative creation process becomes a social act because when students share their lived lives (values, cultures, and identities) through their narratives, different social norms emerge; furthermore, these social norms are circulated through interpretation and meaning-making (Johnson and Vasudevan, 2012). Thus, artifacts as stories are powerful art forms that engage students in social, creative, and critical acts in literacy practices and spur them to be critically literate people.…”
Section: Resultsmentioning
confidence: 99%
“…When students create stories and narratives about their valued objects they not only empower their literacy skills but also engage in artistic way of thinking through interpreting and meaning-making. The story telling and narrative creation process becomes a social act because when students share their lived lives (values, cultures, and identities) through their narratives, different social norms emerge; furthermore, these social norms are circulated through interpretation and meaning-making (Johnson and Vasudevan, 2012). Thus, artifacts as stories are powerful art forms that engage students in social, creative, and critical acts in literacy practices and spur them to be critically literate people.…”
Section: Resultsmentioning
confidence: 99%
“…Also, critical literacy educators will inevitably encounter unexpected moments that push them out of their comfort zone (Johnson & Vasudevan, 2012). However, teachers should not feel discouraged to engage students in critical literacy practice by utilizingpersonal narratives and multimedia materials as a vehicle for reflective and critical learning.…”
Section: Resultsmentioning
confidence: 99%
“…For Elmesky (2005), those were resources that adhered both to the materiality of the body and to the cultural ways of being in the world. This dual focus on the materiality of the body and the constructedness of selves was also evident in Johnson and Vasudevan's (2012) study of students' critical performances through embodied texts, namely, clothing, hair, and accessories as well as their postures, laughter, and humour. Students engaged critically with school-sanctioned texts through their bodies, as those were shaped by social norms regarding race, gender, class, ethnicity, age, and ability.…”
Section: Literacy and The Body Literacy As Embodiedmentioning
confidence: 94%