“…Salgado's work has been much debated (see, for example, Campbell (2003); Costa (2003); Galeano (1990); Mraz (2002); Ritchin (1990); Shawcross and Hodgson (1987); Stallabrass (1997)). My concern here is not with those debates, with the questions of romanticism versus photojournalism or documentary photography, or art versus political commentary, for example, but with how the work as portraiture addresses questions of subjectivity.…”