Continental Connections 2015
DOI: 10.2307/j.ctvh1dj3c.8
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Cited by 10 publications
(7 citation statements)
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“…Similarities in material culture indicate that this was one of the areas of the European mainland from which Neolithic material culture and practices were introduced to Britain (e.g. Sheridan, 2010a, 2010b; Rowley-Conwy, 2011; Anderson-Wymark & Garrow, 2015: 74; Pioffet, 2015).…”
Section: Discussionmentioning
confidence: 99%
“…Similarities in material culture indicate that this was one of the areas of the European mainland from which Neolithic material culture and practices were introduced to Britain (e.g. Sheridan, 2010a, 2010b; Rowley-Conwy, 2011; Anderson-Wymark & Garrow, 2015: 74; Pioffet, 2015).…”
Section: Discussionmentioning
confidence: 99%
“…Ceramic assemblages were very small, and composed of a narrower range of vessel forms than the continental repertoires that inspired them (Thomas 2013, 371). Leaf-shaped arrowheads appeared, but they were technologically distinct from those of the Michelsberg, and thus potentially copied rather than straightforwardly transferred (Anderson-Whymark & Garrow 2015, 70). Chipped flint assemblages from this period contain only very modest numbers of diagnostically Neolithic tool types, such as polished axes, arrowheads, certain types of knives and laurel leaves, and are dominated by elements that could equally be Mesolithic in inspiration.…”
Section: A Minimal Neolithic?mentioning
confidence: 99%
“…While we do not wish to establish direct comparisons with other carving tradition in Europe, it is useful to examine their styles, contexts and carving techniques given the lack of other parallels in Britain, considering that many of these regions were connected since the Mesolithic (e.g. Anderson-Whymark et al 2015). In this context, it can be acknowledged that the Dunchraigaig deer carvings are stylistically closer to examples from Iberia.…”
Section: Animal Representations In European Rock Artmentioning
confidence: 99%