This thesis examines the social and urban history of mapmaking in Edinburgh between c.?II> and c.?J=> and argues that cartography, along with the associated printing and publishing industries in the city, provides an effective lens on broader urban concerns. The predominant focus of the archival research is on the family-run firm John Bartholomew & Co., internationally-renowned map publishers during the period. The central questions of the thesis relate to print, knowledge, space and place. The work is grounded, in particular, within urban history and the geography of the book. Chapters are structured around the 'lifecycle' of a map and a remodelled version of Robert Darnton's 'communications circuit'. Map production can profitably be contextualised within late nineteenth and early twentieth-century Edinburgh. A taxonomy of the contemporary printing and publishing industries shows-following Pierre Bourdieu's theory of the 'field of cultural production'-that it is crucial to understand the economic, industrial and First and foremost, I would like to thank my supervisors, Richard Rodger and Charles Withers, who appointed me to work on this thesis as part of their broader project, 'Mapping Edinburgh's Social History'. They have both been encouraging, constructive and, above all, deeply supportive throughout. I first worked with Richard as a secondyear undergraduate and his guidance over the eight years I have subsequently spent exploring various aspects of Edinburgh's history has been invaluable. I was very fortunate to also benefit from the knowledge and support of Christopher Fleet, Senior Maps Curator at the National Library of Scotland. I am grateful for his consistent willingness to share his knowledge and the generosity with which he offers his time. The staff at the National Library of Scotland made conducting research a pleasure. In the wonderful Maps Library on Causewayside, Tam (now retired), Alan, Laragh and all of their colleagues always went above and beyond to help me. In =>?_ I was granted a J.B. Harley Fellowship in the History of Cartography, which gave me the chance to spend time in the British Library. Catherine Delano-Smith and Peter Barber made me feel very welcome in London. Peter took the time to orient me in the Maps Room and introduce me to members of staff, who were all extremely helpful (and patient). Working with John Ennis at Gayfield Creative Spaces in the summer of =>?` helped me to see how I could engage a wider audience with this research through our co-curation of PACE: Walking by Design. I finished this thesis while working as a Teaching Fellow at the University of Edinburgh. There, Ewen Cameron has been an unfailing source of support, and my brilliant students have given me the chance to widen my own thinking and teaching. Sarah Laurenson, Sophie Cooper and Felicity Loughlin: there's far too much to list here, so simply thank you for being the best not-so-new-now friends I could ever have hoped for. And to all my friends: thank you so much for tolerating my increasing social inept...