Science in performance

Abstract

This series will offer a space for those people who practise theatre to have a dialogue with those who think and write about it. The series has a flexible format that refocuses the analysis and documentation of performance. It provides, presents and represents material which is written by those who make or create performance history, and offers access to theatre documents, different methodologies and approaches to the art of making theatre. The books in the series are aimed at students, scholars, practitioners and theatre-visiting readers. They encourage reassessments of periods, companies and figures in twentieth-century and twentyfirst-century theatre history, and provoke and take up discussions of cultural strategies and legacies that recognise the heterogeneity of performance studies. also available Directing scenes and senses: The thinking of Regie