“…Such habituation, or “contribution to social formations,” have historically been more well-documented in “stabilized-for-now” (Schryer, 1993) genres, such as those in professional discourse and academic writing. More recently, however, scholars have shifted to question how genre interrelationships develop and function in more public contexts (e.g., Mehlenbacher, 2019; Reiff & Bawarshi, 2016). In Genre and the Performance of Publics , Reiff and Bawarshi (2016) point out that in public discourse, “the relations that hold between genres are less enforced, where genre translations are more rhizomatic and more subject to mistake, abuse, and recontextualization” (p. 12).…”