Scenography, Stagecraft, and Architecture

Henderson, Mary Hudgens

doi:10.1017/chol9780521651790.013

Cited by 3 publications

(1 citation statement)

References 36 publications

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“…The polar solvent conditions are challenging and provide another instructive test scenario for SLURPS. We have found in earlier work that in the synthesis of oximes on PS supports for the SPOS of isoxazolines via 1–3 dipolar cycloadditions, pyridine had to be used instead of ethanol/water mixtures due to the low swelling and concomitant low efficiency of oxime formation (Scheme ) …”

Section: Resultsmentioning

confidence: 99%

Novel Non-PEG Derived Polyethers as Solid Supports. 2. Solid-Phase Synthesis Studies

et al. 2007

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Novel non-PEG derived polyether resins, coined SLURPS (Superior Liquid Uptake Resins forPolymer-supported Synthesis), were studied for their performance in solid-phase synthesis. Novel amino functional resins, SLURPS-NH 2 , were prepared with a loading of up to 8.5 mmol/g and employed successfully in the solid-phase synthesis of Leu-Enkephalin. The peptide was obtained with the same 2 purity when compared to its synthesis with commercial standard poly(dimethyl acrylamide) resins.Furthermore we show loading and cleavage of aromatic carboxylic acids in excellent yield. The advantageous solvent compatibility of our support was demonstrated through the biphasic dihydroxylation of alkenes with OsO 4 in t-BuOH/water mixtures producing bound 1,2-diols and synthesis and removal of a bound oxime using ethanol/water mixtures both in excellent yields. Reactions were easily monitored by gel-phase NMR and FTIR These results show that SLURPS are very well suited for organic transformations using highly polar solvent mixtures and reagents and this at much higher loading levels than standard amphiphilic resins of similar solvent compatibility. Graphical Abstract:O OH SLURPS

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Section: Resultsmentioning

confidence: 99%

Novel Non-PEG Derived Polyethers as Solid Supports. 2. Solid-Phase Synthesis Studies

et al. 2007

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Clock-Watching: Melodrama, Realism, and the Dialectics of Time

Biers¹

2018

Theat Surv

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As the conventions of theatre design would have it, a clock onstage is a distraction for the audience. This has not always been true. Late nineteenth-century popular plays were alive with the sights and sounds of working clocks, their pointing hands, swinging pendulums, and striking bells announcing the time of significant events and actions in the fictional stage world. Visible on the mantelpiece, or audible in the town square, stage clocks in this era lent verisimilitude while heightening suspense, mirroring the broader aesthetic conventions of popular fin-de-siècle productions, in which highly realistic and detailed settings coexisted with the suspenseful plots and broad character types familiar from older melodramas.

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Being in the picture

Betancourt¹

2015

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Scenography, Stagecraft, and Architecture

Cited by 3 publications

References 36 publications

Novel Non-PEG Derived Polyethers as Solid Supports. 2. Solid-Phase Synthesis Studies

Novel Non-PEG Derived Polyethers as Solid Supports. 2. Solid-Phase Synthesis Studies

Clock-Watching: Melodrama, Realism, and the Dialectics of Time

Being in the picture

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