2017
DOI: 10.4018/978-1-5225-0892-2.ch006
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Scaffolding Digital Writing and Storytelling in Online-Only Teacher Education Courses

Abstract: Higher education is seeing increasing trends towards online education (Allen & Seaman, 2010). This chapter provides a framework for the inclusion of digital writing with online teacher education courses. As writing instruction and writing pedagogy moves from print-based literacy practices towards multimodal and paperless/digital writing practices (Mills, 2010), teacher educators must stay current and informed about methods that are best suited towards digital writing pedagogies. We provide four practical e… Show more

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Cited by 2 publications
(3 citation statements)
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“…It was also found that they considered scenario, dubbing and suitability for the target population as important issues while designing digital stories. Semingson et al (2016) argued that there are is a wide range of software to design digital stories, but it is of importance to find a suitable one for the age and grade levels of the students bearing in mind the complexity of the software.…”
Section: Discussionmentioning
confidence: 99%
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“…It was also found that they considered scenario, dubbing and suitability for the target population as important issues while designing digital stories. Semingson et al (2016) argued that there are is a wide range of software to design digital stories, but it is of importance to find a suitable one for the age and grade levels of the students bearing in mind the complexity of the software.…”
Section: Discussionmentioning
confidence: 99%
“…Cennamo et al (2010) list these steps as writing the script, developing a storyboard, locating images, creating a digital story and sharing it with others. Semingson, Owens, Hurlbut and Robertson (2016) note that the elements of a good story must be taken into consideration while using digital storytelling alongside technology. Robin (2006) focused on seven essential elements of a digital story issued by Centre for Digital Storytelling (2005); point of view, dramatic question, emotional content, the gift of your voice, the power of the soundtrack, economy and pacing.…”
Section: Digital Storytellingmentioning
confidence: 99%
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