Satan and the Satanic in Grabbe’s Dramas

Cowen, Roy C.

doi:10.1080/19306962.1964.11787170

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“…A futuristic version of the mi-parti, his pied costume is also inflected by Mephistopheles's parthenogenetic association with 'the dark which bore itself the light' (Goethe 1976(Goethe : 1350. The camera lingers on his Anubis-like black headdress -slit-eyed, like an executioner's sack -which grafts Grabbe's black-clad Knight -an implicit racialization of the demonic, as in his earlier Herzog Theodor von Gothland (Cowen 1964: 124) -onto Goethe's black poodle.…”

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confidence: 99%