Samuel Beckett: Waiting for Godot

Graver, Lawrence

doi:10.1017/cbo9780511802492

Cited by 9 publications

(2 citation statements)

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“…1995 s. 109 om inndragning av skjenkebevilling på grunn av skjenking til mindreårige og til åpenbart berusede personer: «Det er ikke tvilsomt at kommunen har bevisbyrden når det gjelder det faktiske grunnlaget for inndragningsvedtaket.» 377 For begunstigende vedtak er det derimot antatt at bevisbyrden ligger hos søkeren. 378 I punkt 4.3.6 fremgår at forvaltningen har bevisbyrden etter forvaltningsloven § 41 fordi forvaltningen er pliktsubjektet for reglene om behandlingen og dessuten naermest til å belyse betydningen av feil for vedtakets innhold. Det samme gjelder for spørsmålet om det er begått personelle og prosessuelle feil, noe som er lagt til grunn av Sivilombudet i en uttalelse i en sak om erstatning etter manglende underretning; det ble ansett som «naturlig at den som vil påberope seg at underretningen er kommet frem til klager, har bevisbyrden for dette».…”

Section: Bevisbyrdeunclassified

Feil og ugyldighet i forvaltningsretten

Løvlie¹

2021

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SAMMENDRAG Artikkelen omhandler den forvaltningsrettslige laeren om ugyldighet. Siktemålet er å klargjøre betingelsene for å anse enkeltvedtak som er beheftet med materielle, personelle eller prosessuelle feil, som ugyldige, i betydningen at vedtaket ikke gis virkning etter sitt innhold. Det argumenteres for at betingelsene best forstås med utgangspunkt i en dikotomi mellom feil som fører til ugyldighet hvis feilen kan ha innvirket på vedtakets innhold, og feil som i seg selv fører til at vedtaket skal anses som ugyldig. For begge kategorier feil gjelder at vedtaket etter omstendighetene vil kunne opprettholdes i henhold til saerskilte regler om gyldighet. Det redegjøres inngående for gjeldende rett, og følger med det opp en tidligere artikkel i Kritisk juss hvor Forvaltningslovutvalgets forslag til ny regel om ugyldighet ble analysert og kritisert terminologisk, strukturelt og substansielt.

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Section: Bevisbyrdeunclassified

Feil og ugyldighet i forvaltningsretten

Løvlie¹

2021

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“…"They are positioned, strangely, between individuality and stylization, between relatedness and independence, between pattern and autonomy, between "flat" and "round", between surface and depth, partaking of opposite spheres but never fully classifiable within either" (Lawley, 2008, p. 21-22). Even so, the characters in the play represent abstract or spiritual meanings (Graver, 2004). They have no past in the play although Vladimir tries hard to remember about "yesterday".…”

Section: The Characterization In "Waiting For Godot"mentioning

confidence: 99%

Psychoanalytic Analysis of the Characters in Beckett?s "Waiting for Godot"

2017

IJSR

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Samuel Beckett's Waiting for Godot which is a renowned play written after the World War II primarily focuses on its postwar-period characters. The play is categorized into "Theatre of the Absurd", and several studies were conducted on the post-war period and its impressions in the play. Besides, it called forth many studies on its political, biblical, psychological, and philosophical interpretations in literature. However, there were not enough studies about a full-psychoanalytic analysis of the characters. So as to fill this gap, the present study aims to analyze the two protagonists Estragon and Vladimir, and the hidden character Mr. Godot in terms of the Freudian Theory of Personality. The study benefited from a discourse analysis of these three characters according to Freud's "the id, the ego, and the superego" triangle. When deeply analyzed it was concluded that Vladimir who is the first voice in the play symbolizes "the ego", Estragon who has the second voice symbolizes "the id", and Mr. Godot who has a hidden voice symbolizes "the superego" of Freud's Theory of Personality. In addition, as in the case of the id, the ego, and the superego, these three characters cannot be separated from each other; they all contribute to the plot and stage development of the play.

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The Cambridge Companion to the Spanish Novel

Turner¹,

Martínez²

2003

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The Cambridge Companion to the Spanish Novel presents the development of the modern Spanish novel from 1600 to the present. Drawing on the combined legacies of Don Quijote and the traditions of the picaresque novel, these essays focus on the question of invention and experiment, on what constitutes the singular features of evolving fictional forms. It examines how the novel articulates the relationships between history and fiction, high and popular culture, art and ideology, and gender and society. Contributors highlight the role played by historical events and cultural contexts in the elaboration of the Spanish novel, which often takes a self-conscious stance toward literary tradition. Topics covered include the regional novel, women writers, and film and literature. This companionable survey, which includes a chronology and guide to further reading, conveys a vivid sense of the innovative techniques of the Spanish novel and of the debates surrounding it.

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Samuel Beckett: Waiting for Godot

Cited by 9 publications

References 0 publications

Feil og ugyldighet i forvaltningsretten

Feil og ugyldighet i forvaltningsretten

Psychoanalytic Analysis of the Characters in Beckett?s "Waiting for Godot"

The Cambridge Companion to the Spanish Novel

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