Abstract:By examining the historical narratives of Saint Catherine of Siena's death and burial this paper sheds new light on the liturgical layout of the Dominican church of Santa Maria sopra Minerva in Rome c. 1380. Since then Saint Catherine's remains have been translated five times, and at each translation, the form and decoration of her sepulchre has changed, showing how different aspects of her life were commemorated at each renewal of her tomb. These transformations are examined in the light of what survives toda… Show more
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