Abstract:This article examines the colonial-era poet and critic Im Hwa’s (林和 1908–1953) maritime literary trope of Hyŏnhaet’an (玄海灘), the strait separating the Korean peninsula from the Japanese archipelago, as it encompasses Korea’s contradictory peripheral location within the Japanese empire. Im Hwa’s repeated invocations of this body of water served as a channel for navigating the escalating pressures of colonial censorship, in which the romanticized, masculinist figure of the valiant “youth” (ch’ŏngnyŏn) substitute… Show more
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