Robert Browning's Necropoetics

Fox, Renée C.

doi:10.1353/vp.2011.0035

Cited by 6 publications

(2 citation statements)

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“…He has been examined extensively in previous literature from different perspectives e.g. gender perspective (Ingersoll, 1991), (Maenhout, 2007) and (Haigwood, 1986), literary and dramatic perspective (Sessions, 1947), (Wenger, 1941), (Garratt, 1973) and (Culler, 1975), domestic violence perspective (Culler 1975;Gregory, 2000) and (Salunke, 2014), sympathy and judgement (Scheinberg, 1997), and his necro-poetics (Fox, 2011). Comparative studies have also been conducted on him and other poets, comparison of John Donne"s philosophy and artistic theory with Browning (Duncan, 1953), comparison of Morrison"s poem with Browning"s dramatic monologues (Hodgson, 1992), similarity of musicality between Tennyson and Browning (Plamondon, 2002), similarity between John Betjeman"s "Bristol and Clifton" and Browning"s dramatic monologues with particular reference to My Last Duchess (Gardner, 2006) and poetic similarities and differences between Tennyson and Robert Browning (Prakash, 2017).…”

Section: Socio-literary Study Of Robert Browning and Darwesh ……………mentioning

confidence: 99%

Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach

Khan

2020

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Previous literature is laden with research on Browning’s dramatic monologues from various perspectives. This paper will compare Browning’s dramatic monologues with Derwesh Durrani’s poetry from socio-literary perspective. Literary theories of analogy and variation will be used to find out similarities and differences in their poetry. Two poems from each poet have been selected for analysis through close reading technique on the model of theories of variation and analogy. Stratified sampling technique was used for taking the representative sample from the data. The findings reveals that Darwesh’s poetry exhibits most of the dramatic features of Browning’s dramatic monologues, but his poetry is more poetic, while Browning’s poetry is more dramatic; Browning invigorates the past, Darwesh recreates the present. In addition, Browning’s poems deals with domestic issues like gender violence, love and marriage, Darwesh’s poetry deals with social issues and patriotism, and contrary to Browning, he stands for women’s rights and sensibilities. This paper suggests further studies purely from socio-cultural perspective of Darwesh’s dramatic monologues, which will contribute to the existing literature on dramatic monologues.

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Section: Socio-literary Study Of Robert Browning and Darwesh ……………mentioning

confidence: 99%

Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach

Khan

2020

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“…En su estudio acerca de las obras dramáticas del poeta victoriano inglés Robert Browning (1812-1879), y más específicamente de su extenso poema narrativo The Ring and the Book (1868-1869), la crítica estadounidense Renée A. Fox (2011) ha comentado que un rasgo casi recurrente en él es el despliegue 8 Se conoce por Graveyard Poets a un grupo de poetas de estirpe prerromántica que surge en Inglaterra durante el siglo xviii, y en cuya lírica se hace visible la presencia de indagaciones filosóficas en torno a la fragilidad de la vida humana, la muerte y sus derivados isotópicos más directos tales como los cementerios, los cráneos, los ataúdes, la noche, etc. Entre sus más notorios expositores destacamos a Edward Young (1683-1765), Thomas Gray (1716-1771), William Collins (1721-1759), Thomas Warton (1728-1790), Thomas Percy (1729-1811) y James Mcpherson (1736Mcpherson ( -1796, entre otros.…”

Section: Atisbos Necropoéticos Al Caribe Colombianounclassified

“La gran miseria humana”, de Gabriel Escorcia Gravini: lectura necropoética de la Colombia de comienzos del siglo xx

Villegas-Restrepo

2017

Tópicos

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Este trabajo intenta demostrar cómo el discurso necropoético que el poeta colombiano Gabriel Escorcia Gravini (1892-1920) despliega en su poema “La gran miseria humana” (1918), cuestiona las aparentemente inmóviles fronteras estéticas y políticas que separan al aislado caribe colombiano del resto de las ciudades del interior del país. De manera más específica, muestra cómo dicha necropoética se vale de la estetización de la amada fallecida y de la reapropiación y consecuente politización que el sujeto poético hace de su propia melancolía, para así entablar ciertas concatenaciones analógicas entre los términos cementerio, calavera y exhumador, y poesía, poema y poeta, respectivamente. Una vez apuntalado por esta estructura meta-referencial, el poema, en la lectura que aquí se realiza, logra inscribir el topos caribeño en la tradición literaria de la Colombia de la época.

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The unrealised potential of Robert Browning’s “Gold Hair: A Legend of Pornic”

Hind

2022

European Journal of English Studies

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Robert Browning's Necropoetics

Cited by 6 publications

References 14 publications

Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach

Socio-literary Study of Robert Browning and Darwesh Durrani’s Dramatic Monologues: A Comparative Literary Approach

“La gran miseria humana”, de Gabriel Escorcia Gravini: lectura necropoética de la Colombia de comienzos del siglo xx

The unrealised potential of Robert Browning’s “Gold Hair: A Legend of Pornic”

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