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up until the nineteenth century many texts were written or printed on the very skins of animals, transformed in parchment or vellum.…Imprinting the codes of human authority on animal skins was a potent symbol of the forcible human domination of animals. (2012: 111)Moving from the Middle Ages to the present day, Sheryl Hamilton’s (2017) work on the prohibition of the end-of-game handshake in an age of pandemic culture is another exciting example of how sensory studies complements and is complemented by skin studies. Hamilton is interested in how the handshake has become a site of both concern and contestation in biopolitical contexts characterized by ‘the constant awareness of, and threat from, global viral pandemic’ (2017: 54).…”
up until the nineteenth century many texts were written or printed on the very skins of animals, transformed in parchment or vellum.…Imprinting the codes of human authority on animal skins was a potent symbol of the forcible human domination of animals. (2012: 111)Moving from the Middle Ages to the present day, Sheryl Hamilton’s (2017) work on the prohibition of the end-of-game handshake in an age of pandemic culture is another exciting example of how sensory studies complements and is complemented by skin studies. Hamilton is interested in how the handshake has become a site of both concern and contestation in biopolitical contexts characterized by ‘the constant awareness of, and threat from, global viral pandemic’ (2017: 54).…”