Abstract:Throughout his writings, Faulkner describes slave quarters as doorless or as having makeshift doors in contrast to the ornamented and ritualistic enclosed facades of white American-European architectures. His depictions of doorlessness in slave architectures mirror the historical and personal accounts written by his contemporaries. In Go Down, Moses, the McCaslin brothers’ tacit allowance of slave mobility through doorless slave quarters demonstrates how Faulkner’s spatial representations operate outside of pr… Show more
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