2017
DOI: 10.1162/comj_a_00412
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Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation

Abstract: In this article, we summarize recent research examining concatenative synthesis and its application and relevance in the composition and production of styles of electronic dance music. We introduce the conceptual underpinnings of concatenative synthesis and describe key works and systematic approaches in the literature. Our system, RhythmCAT, is proposed as a user-friendly system for generating rhythmic loops that model the timbre and rhythm of an initial target loop. The architecture of the system is explaine… Show more

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Cited by 7 publications
(3 citation statements)
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“…Movement and rhythm are two essential core requirements in the process of music development, starting from the very beginning. In the fields of choreography and score, the matching of movements and music pieces is widely used [ 7 ]. It is necessary to arrange appropriate dance movements according to the music pieces chosen by users in choreography; it is also necessary to create appropriate background music for the dance actions chosen by users in score creation [ 8 ].…”
Section: Introductionmentioning
confidence: 99%
“…Movement and rhythm are two essential core requirements in the process of music development, starting from the very beginning. In the fields of choreography and score, the matching of movements and music pieces is widely used [ 7 ]. It is necessary to arrange appropriate dance movements according to the music pieces chosen by users in choreography; it is also necessary to create appropriate background music for the dance actions chosen by users in score creation [ 8 ].…”
Section: Introductionmentioning
confidence: 99%
“…La autonomía de los sistemas musicales generativos abarca un rango amplio y continuo. En el extremo más bajo encontramos sistemas generadores de ideas (quizás amplificadores de la creatividad) que autónomamente producen fragmentos musicales no terminados como materia prima con la que compositores y productores trabajan para crear composiciones más elaboradas (Ó Nuanáin et al, 2017;Collins, 2018;Roberts et al, 2019). En un nivel superior de autonomía existen sistemas que generan piezas musicales completas sin intervención humana alguna en el proceso (por ejemplo, AIVA 1 o Amper 2 ).…”
Section: Introductionunclassified
“…Furthermore, the application of the AFs in sound effect retrieval benefits from the development of music information retrieval. In music production, using the 2D or 3D visualisation in retrieving instrumental samples can improve the overall exploration experience [11–13]. Dupont et al [14] presented an interactive prototype tool for browsing sound libraries by similarity.…”
Section: Introductionmentioning
confidence: 99%