2020
DOI: 10.1016/j.jecp.2019.104711
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Rhythmic and textural musical sequences differently influence syntax and semantic processing in children

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Cited by 22 publications
(28 citation statements)
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“…The lack of rhythmic priming in the picture naming task suggests that the rhythmic priming effect is not only specific to the language domain but seems to be restricted to language perception or grammar. These results are in line with a recent study (Canette, Lalitte, Bedoin, Pineau, Bigand, & Tillmann, 2020) testing the effect of a rhythmical music vs. textural sounds on a semantic evocation task in which children were asked to verbalize concepts that were evoked by rhythmic music or sound texture. The study found that children produced more concepts after the textural sounds suggesting that rhythmic priming did not facilitate semantic evocation.…”
Section: Discussionsupporting
confidence: 91%
“…The lack of rhythmic priming in the picture naming task suggests that the rhythmic priming effect is not only specific to the language domain but seems to be restricted to language perception or grammar. These results are in line with a recent study (Canette, Lalitte, Bedoin, Pineau, Bigand, & Tillmann, 2020) testing the effect of a rhythmical music vs. textural sounds on a semantic evocation task in which children were asked to verbalize concepts that were evoked by rhythmic music or sound texture. The study found that children produced more concepts after the textural sounds suggesting that rhythmic priming did not facilitate semantic evocation.…”
Section: Discussionsupporting
confidence: 91%
“…In addition, there is ample evidence of better performance on various language tasks after rhythm/music training in the typically developing population ( Degé & Schwarzer, 2011 ; Linnavalli, Putkinen, Lipsanen, Huotilainen, & Tervaniemi, 2018 ; Patscheke, Degé, & Schwarzer, 2016 ; Rautenberg, 2015 ; Taub & Lazarus, 2012 ; Zhao & Kuhl, 2016 ). Moreover, several studies have found a short-term facilitating effect of regular rhythm on subsequent grammar task performance in typically developing children ( Ladányi, Lukács, & Gervain, submitted ; Bedoin, Brisseau, Molinier, Roch, & Tillmann, 2016 ; Canette et al, 2020 ; Chern, Tillmann, Vaughan, & Gordon, 2018 ; Przybylski et al, 2013 ). In addition, better speech/language skills, such as more efficient speech processing and word segmentation, have been reported for musicians compared to non-musicians ( Brod & Opitz, 2012 ; François, Jaillet, Takerkart, & Schön, 2014 ; Marie, Magne, & Besson, 2011 ; Musacchia, Sams, Skoe, & Kraus, 2007 ; Sares, Foster, Allen, & Hyde, 2018 ; Zuk et al, 2013 ), although this advantage could originate from other differences between musicians and non-musicians beyond differences in rhythm skills.…”
Section: Individual Differences: a Synthesis Of Research Investigatinmentioning
confidence: 99%
“…Further, 10-11 year old children with music training showed an early left anterior negativity (ELAN) response to violations of language structure (grammatical errors), whereas this response was not observed in the children who were not musically trained, likely because their automatic language syntax skills were still developing (Jentschke & Koelsch, 2009). In addition to long-term benefits of music rhythm on language processing (see Schön & Tillmann, 2015), short-term effects have been investigated within the rhythmic priming paradigm, focusing specifically on whether regular rhythmic primes can facilitate subsequent grammaticality judgments in speech (Canette et al, 2019(Canette et al, , 2020Chern et al, 2018;Przybylski et al, 2013).…”
mentioning
confidence: 99%