2020
DOI: 10.48550/arxiv.2011.14398
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RGBD-Net: Predicting color and depth images for novel views synthesis

Abstract: We address the problem of novel view synthesis from an unstructured set of reference images. A new method called RGBD-Net is proposed to predict the depth map and the color images at the target pose in a multi-scale manner. The reference views are warped to the target pose to obtain multi-scale plane sweep volumes, which are then passed to our first module, a hierarchical depth regression network which predicts the depth map of the novel view. Second, a depth-aware generator network refines the warped novel vi… Show more

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Cited by 3 publications
(6 citation statements)
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“…A large variety of novel view synthesis approaches have been developed. For a broader review, we refer to Nguyen et al [21] or Tewari et al [37].…”
Section: Related Workmentioning
confidence: 99%
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“…A large variety of novel view synthesis approaches have been developed. For a broader review, we refer to Nguyen et al [21] or Tewari et al [37].…”
Section: Related Workmentioning
confidence: 99%
“…Image Based Rendering (IBR). In contrast to classical rendering of 3D scenes using textured geometry, IBR methods aim to render novel views by combining input images in the target pose [25,12,11,3,41,15,21,43,38,27,28]. To be able to project the input images correctly, IBR methods still require geometry, often in the form of depth maps, which are either available or estimated.…”
Section: Related Workmentioning
confidence: 99%
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“…Concurrent to our work, the followings also introduce a generalizable NeRF: RGBD-Net [37] builds a cost volume for the target view instead of source views, NeuralMVS [44] proposes a coarse to fine approach to increase speed, and NeuRay [31] proposes a method to deal with occlusions.…”
Section: Introductionmentioning
confidence: 99%
“…Novel view synthesis of rigid objects or dynamic scenes has been a very active topic of research recently with impressive results across various tasks [43,48,65,68]. However, synthesizing novel views of humans in motion requires methods to handle dynamic scenes with various deformations which is a challenging task [66,72]; especially in those regions with fine details such as the face or the clothes [49,51,71].…”
Section: Introductionmentioning
confidence: 99%