“…According to the Pythagorean view, the relative simplicity of the frequency ratio of two tones played simultaneously determines the pleasantness of the outcome sound (Helmholtz, 1877;Tenney, 1988). Consonance, in this regard, refers to the pleasantness produced by the co-occurrence of two tones whereas dissonance is described as unpleasant due to the beating and roughness (Dell'Acqua, Sessa, Jolicoeur, & Robitaille, 2006;Dellacherie, Roy, Hugueville, Peretz, & Samson, 2011;Plantinga & Trehub, 2013;Shapira Lots & Stone, 2008). The major view regarding the perception of these tonal structures suggests that the stability and pleasant-sounding attributes make consonance preferred over instable and rough-sounding dissonance (Bidelman & Krishnan, 2009;McDermott & Hauser, 2004).…”