2001
DOI: 10.1037/0736-9735.18.3.597
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Review of The Musical Edge of Therapeutic Dialogue.

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Cited by 31 publications
(43 citation statements)
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“…My hypothesis is that embodied simulation is at work within the psychoanalytic setting between patient and analyst (see also Beebe et al, 2005;Gallese et al, 2007;Knoblauch, 2000;Seligman, 1999). The notions of projective identification and the interpersonal dynamic related to transference and countertransference can be viewed as instantiations of the implicit and prelinguistic mechanisms of the embodied simulation-driven mirroring mechanisms here reviewed.…”
Section: Embodied Simulation and Psychoanalysis: Implicit And Linguismentioning
confidence: 97%
“…My hypothesis is that embodied simulation is at work within the psychoanalytic setting between patient and analyst (see also Beebe et al, 2005;Gallese et al, 2007;Knoblauch, 2000;Seligman, 1999). The notions of projective identification and the interpersonal dynamic related to transference and countertransference can be viewed as instantiations of the implicit and prelinguistic mechanisms of the embodied simulation-driven mirroring mechanisms here reviewed.…”
Section: Embodied Simulation and Psychoanalysis: Implicit And Linguismentioning
confidence: 97%
“…Ms. A needed a mother strong enough and potent enough to fight to protect her daughter from abuse but also to claim her own right to have a close relationship with her, instead of giving her away to her father. As our nonverbal countertransferential responses do get communicated inevitably (via proto-musical levels of experience) (Knoblauch, 2000;Trevarthen, 2001), we might as well make the best or, rather, the most of the urge to push or pull (but not too forcibly).…”
Section: Technical Issuesmentioning
confidence: 96%
“…Knoblauch (2000) noted the importance of micropatterning of repetitive rhythms and its variations for regulation of affect and sense of self with other as ''ordered, relatively safe, and predictable or disordered, dangerous and chaotic'' (p. 19).…”
Section: Pattern Tone and Rhythmmentioning
confidence: 97%